BRIGITTE SPIEGELER

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ABOUT BRIGITTE SPIEGELER

Brigitte Spiegeler lives and works in the Netherlands and regularly resides in artist residences around the world, an environment outside the box that she particularly values for creating her work.

Brigitte Spiegeler successfully completed the Royal Academy of Art (KABK) in The Hague and her work has since been shown worldwide at international exhibitions in China, Turkey, Germany, Switzerland, Hungary and France in Italy, including at the Venice Biennale in 2017.

The artist uses a variety of techniques in her work, including photography, risography, painting, ceramics, poetry, performance and installation.

Spiegeler's works deal with an imaginary time that exists only in our heads: in the words become art critic Philip Peters' "a time without time, vague with some details emerging, memory is now, here, but at the same time endlessly distant and elusive".

Her most recent exhibitions have included Paris, Düsseldorf, Shanghai, The Hague, Singapore and soon Atlanta.

Dr. Lora Sariaslan, Art historian and Curator, wrote the following for the exposition; the Return (2022)

in 1834, artist-photographers have worked without a camera, directly restoring or returning the traces of an object on photosensitive paper. Having worked with this return to the basic mode of photography for years Brigitte Spiegeler takes it to a colorful new level in her latest body of work using the technique of Risograph. Created by Noboru Hayama in post-war Japan in 1946, the Risograph (and the development of soy-based ink) was a response to the expensive import of emulsion ink following the end of the war. He chose a poetic and fitting name to express how important it was for people to not lose their ideals during this period of despair. Imprinting this ideal directly into the company name Hayama founded “Riso” meaning “ideal.” Spiegeler capitalizes on this “ideal” format as a source of productive imaginary concerned with image creation, its delicate appearance as well as its fragile future, through its layers depicted that essentially materialize our relation to time. She creates a different mode of fabricating images that oscillate and temporarily return to the alleged transparency of the photographic medium with its documentative qualities, specially the importance given to its clarity and readability. Through the medium of prints, Spiegeler turns familiar places and spaces into unfamiliar or uncanny creations. Her works are positioned at the juncture where the spatial and temporal qualities (re)turn and are captured on the surface of the print which enables manifold layers that extend from the surface of the paper into time. She puts aside the high-tech possibilities in order to return and focus on each moment unveiling various stories: real and imagined.

She also has a passion for language and also writes poetry. Three collections of her poetry 'Unparalleled - an ode to Rembrandt' (2019), 'Martial art: illuminated poems and other fire breaks' (2015) and 'Child Robbery & Bijzang' (2017) have been published by Uitgeverij in de Knipscheer.

Her works are in several international collections including the WanQi Art Museum, Dehua, China and various private collections in Germany, Turkey, Switzerland and the Netherlands.

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